Lagos Aerial Series

An Aerial Study of Ikoyi's Urban Contrast

From the ground, Lagos is in motion—dense, electric, and layered. But from above, it transforms. Through a series of aerial images I've taken around the Ikoyi Golf Course this visual essay invites you to engage with Lagos not as a blur of noise & movement, but as a map of evolving intentions: a city negotiating between heritage, green spaces, and property ambition.

Murtala Muhammed Drive prominently cuts through the center with Ikoyi golf course on the right.

1. Ikoyi in Focus: The Green Heart Morning light over the Ikoyi Golf Club, one of Lagos’ enduring green lungs, with the urban skyline of Ikoyi & Victoria Island rising in the distance. Murtala Muhammed Dr slices through the image like a central spine, linking Ikoyi’s civic core with the commercial rise of Victoria Island. The contrast is clear—lush calm beside corporate ambition.

Old Federal Secretariat Complex looms over Ikoyi

Old Federal Secretariat (bottom left), Ikoyi Passport Office (bottom right), Ikoyi golf course (top)

2. Ruins and Renewal - The Old Federal Secretariat Ikoyi stands vast and vacant—an emblem of Nigeria’s post-independence optimism slowly eroded by time, beside it is the Nigerian customs office covered in red roofs. Surrounded by the organic curve of golf greens and residential renewal, these frames hold the tension between what once was and what might still be.

Ikoyi Golf Club (bottom left), Falomo & Awolowo Axis (upper cen

The Ikoyi club (bottom) at sunset, Distant Victoria Island Skyline (top left)

3. Between Creek and Court - The edge of Ikoyi Golf Club leads to exclusive clubs and diplomatic missions, a subtle visual hierarchy of privilege and planning. As the day fades, golden hour softens rooftops and roads—capturing Lagos not in hustle but in hush.

The Ikoyi club (bottom) at sunset showing the Lagos Lagoon and Five Cowrie Creek

Old Federal Secretariat Ikoyi surrounded by trees at sunset with clear skies.

4. Geometry in Green- Seen from the sky, Ikoyi reveals itself in structure—grids, zones, and the enduring mass of the Secretariat’s brutalist sprawl. Amidst this, golf fairways loop like calligraphy across the land, showing that even leisure in Lagos is carefully composed.

From the sky, Lagos reveals its order, its contradictions, and its quiet beauty—details we often miss from the ground. It shows Lagos in conversation with itself—honoring remnants of the past, embracing bursts of green, and reaching skyward in concrete and steel. From this perspective, Lagos is not just alive; it’s evolving.